contemporary abstract painting

contemporary abstract painting
"But why should such precaution be used? -- Though it is not to be supposed that Mrs. Ferrars can have the smallest satisfaction in knowing that her son has money enough to live upon, -- for that must be quite out of the question; yet why, after her late behaviour, is she supposed to feel at all? She has done with her son, she has cast him off for ever, and has made all those over whom she had any influence cast him off likewise. Surely, after doing so, she cannot be imagined liable to any impression of sorrow or of joy on his account -- she cannot be interested in anything that befalls him. -- She would not be so weak as to throw away the comfort of a child, and yet retain the anxiety of a parent!"
"Ah! Elinor," said John, "your reasoning is very good, but it is founded on ignorance of human nature. When Edward's unhappy match takes place, depend upon it his mother will feel as much as if she had never discarded him; and therefore every circumstance that may accelerate that dreadful event, must be concealed from her as much as possible. Mrs. Ferrars can never forget that Edward is her son."