Sunday, August 31, 2008

John William Waterhouse The Lady of Shalott painting

John William Waterhouse The Lady of Shalott paintingLeonardo da Vinci The Last Supper paintingLeonardo da Vinci Mona Lisa Smile painting
Now the dear lady's murmurs became a plaint: "Oh. Oh." Anastasia clapped and bounced. I glared at Bray, and was pleased to take his expression for chagrin. But in fact it proved a curious concentration, like a man's at stool; he even grunted and grew red. Then he sniffed and smiled -- I am obliged to saysweetly - - and turning up the back hem of his cape and tunic, exposed a brown left knee, gaunt and hairless, in the crook of which however was undeniably a browner spot. Too low, surely, and something wanting in definition -- but a round brown birthmark after all! Anastasia caught her breath; Virginia Hector whimpered; I could have wept for frustration.
"Flunk you! Flunk you! Flunk you!" I shouted.
"Please," he said: "Not in front of Mother. I'm still ready to help you."
Poor Lady Creamhair now grew quite incapable; I flunked the hour I had agreed to this confrontation. Anastasia -- no less confounded but still in command of her faculties -- led her away toward the Chancellor's Exit and Reginald Hector's offices, next door to Tower Hall. This was Bray's suggestion, and further to infuriate me he asked whether I did not affirm its prudence.
"You should go with them," he advised me. "I'll try to pacify the crowd till you're safely out."

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