Tuesday, August 19, 2008

Thomas Kinkade Chicago Water Tower painting

Thomas Kinkade Chicago Water Tower paintingThomas Kinkade Autumn Lane painting
his hands on his handkerchief and squint casually into the sun, as if he were receiving the most routine of messages. It was absolutely typical of the man, Culver reflected. Too habitual to be an act yet still somehow too faintly self-conscious to be entirely natural, how many years and what strange interior struggle had gone into the perfection of such a gesture? It was good, Grade-A Templeton, perhaps not a distinctly top-notch performance but certainly, from where the critic Culver sat, deserving of applause: the frail, little-boned, almost pretty face peering upward with a look of attitudinized contemplation; the pensive bulge of tongue sliding inside the rim of one tanned cheek to gouge out some particle of food; small hands working calmly in the folds of the handkerchief—surely all this was more final, more commanding than the arrogant loud mastery of a Booth, more like the skill of Bernhardt, who could

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